Saturday, January 26, 2008

Wednesday, January 23, 2008

Friday, January 11, 2008

Saturday, January 05, 2008

....he's back!



The long wait since Casino Royale hit the big screens is over! The 22nd James Bond film 'lensed' Wednesday 2nd January 2008 - at Pinewood Studios in England.
Variety confirms that shooting is nearly a month behind the original schedule, but the general release on 7th November is not at risk.
Produced by Michael G. Wilson and Barbara Broccoli (Eon Productions), BOND 22 (title to be announced) is scheduled for release November 7th 2008 and will be directed by Marc Forster.
Principal photography will start on January 2nd 2008 at Pinewood Studios (UK), and foreign locations to include Italy, Panama, Austria and Bolivia. Paul Haggis completed the script based on a first draft screenplay developed by regular scribes Neal Purvis & Robert Wade.
The story will be a direct continuation of the events of Casino Royale. It is British actor Daniel Craig’s second outing as James Bond, following his debut film Casino Royale released November 16th 2006. Dame Judi Dench (M) and Giancarlo Giannini (Mathis) will also reprise their roles. Mathieu Amalric and Anatole Taubman will play villains.

Tuesday, January 01, 2008

best way to start 2008: THE KEY TO RESERA -Martin Scorsese does Alfred Hitchcock



I have been a longtime fan of Alfred Hitchcock from day one.
Since I opened up the file for "Key To Reserva" I had to watch many times.
As explained in the prologue, Martin Scorsese found some notes depicting a three minute scene from an unrealized Hithcock film called "The Key To Reserva". Scorsese decided to film the three minutes in the style of Hitchcock, basically the style of late 1950's Hitch ("The Man Who Knew Too Much", "North By Northwest", even "Torn Curtain") Not Marty style, Hitchcock style. Well, it was like Hitchcock came back from the grave (actually his ashes) and lensed this great piece. We have a hero in a blue business suit, ala Roger Thornhill, seek out a hidden key in an elegant theater box. It's pure Hitchcock, even down to the crazy Hitchcock logic (The key is hidden in a place that would be scientifically impossible. But we're watching Alfred entertainment us, not teach us.) Our villain hardly looks like a villain. He looks like anybody can mop the street with him, but watch it, still waters run deadly and deep.